>> WELCOME TO SAN ANTONIO,TEXAS,
HOME OF THE BATTLE OF THE ALAMO,
WHICH TOOK PLACE RIGHT HERE BACK IN 1836.
NOW, WE ALL KNOW THE PHRASE,
"REMEMBER THE ALAMO,"
BUT WILL THIS PLACE ALSO BE REMEMBERED FOR ITS TALENT?
THERE'S ONLY ONE WAY TO FIND OUT.
THIS IS AMERICAN IDOL.
www.1000fr.com present
Capture:FRM@FADEOUT Sync:FRM@СD
>> SAN ANTONIO IS THE LAST STOP ON OUR AUDITION TOUR
AND THE LAST CHANCE FOR A GOLDEN TICKET TO HOLLYWOOD.
SO IT'S NO WONDER THAT PEOPLE STARTED LINING UP
IN THE MIDDLE OF THE NIGHT.
OF PLEASE GET THAT CAMERA OUT MY FACE.PLEASE.
>> THEY TRAVELED FROM FAR AND WIDE.
>> I'M FROM WICHITA, KANSAS.
>> FROM PUNTA GORDA, FLORIDA.
>> I DROVE ALL THE WAY FROM SUMTER, SOUTH CAROLINA.
ET TOOK US ABOUT 28 HOURS TO GHERE.
>> BUT IT WASN'T UNTIL THE SUN ROSE
THAT WE REALIZED JUST HOW MANY HAD SHOWN UP.
>> WELCOME TO SAN ANTONIO!
[cheering]
>> SOON IT WAS TIME TO HERD EVERYBODY INSIDE.
* ROLLIN', ROLLIN', ROLLIN' *
* OH, THE STREAMS ARE SWOLLEN *
* KEEP THEM DOGGIES ROLLIN' *
* RAWHIDE *
>> YEE-HAW!
>> COME ON.
* MOVE 'EM OUT *
* HEAD 'EM UP, HEAD 'EM UP *
* MOVE 'EM OUT, HEAD 'EM UP *
1* RAWHIDE *
* CUT 'EM OUT, RIDE 'EM IN *
* RIDE 'EM IN, CUT 'EM OUT *
* CUT 'EM OUT *
>> * RIDE 'EM IN *
* RAWHIDE * *
[cheering]
>> 11,000 STRONG HAD PACKED THE
ALAMODOME WITH THEIR TEXAS PRIDE.
ASL THEY HAD TO DO NOW W WAIT...
ESTIL, FINALLY, THE JUDG SHOWED UP.
LADIES AND GENTLEMEN,
RANDY JACKSON.
>> HO HO HO.
WELCOME TO SAN ANTONIO.
AS AND AS USUAL, NOBODY WAS
HAPPY TO BE THERE AS SIMON.
>> THE OTHERS HERE?
>> YEAH.
>> WHOOPEE.
[scoffs]
AD AND FOR ONCE, HE ACTUALLY H A GOOD EXCUSE.
ON'D JUST FLOWN IN FROM LOND
AND WAS SUFFERING FROM JET LAG.
>> 'CAUSE I'M ON HALF-PAST 6:00 IN THE EVENING TIME.
>> YOU ARE?
>> OF COURSE.
NG IT WAS GONNA TAKE SOMETHI SPECIAL TO WAKE HIM UP.
BUT THAT WASN'T GOING TO
INTIMIDATE BRYAN KYRISH.
>> PAULA, RANDY, AND SIMON PUT
ST ONE LEG IN THEIR PANTS JU
LIKE EVERYBODY ELSE,
SO I'M NOT AFRAID.
>> THIS WAS ONE TEXAN
WHO WOULDN'T BE MESSED WITH.
ST HERE'S HOW IT IS--IT'S JU
LIKE WHEN I WAS IN SCHOOL.
EITHER TEACHERS LOVED ME OR THEY HATED ME.
THERE'S NOTHIN' IN BETWEEN.
WHEN I SING, PEOPLE TELL ME
I SOUND LIKE BILLY IDOL, OZZY,AC/DC.
UD VOCAL PROJECTION IS VERY LOAND PROFOUND.
I WANT THEM TO FEEL MY ENERGY.
I WANT THEM TO FEEL MY FIRE.
[upbeat techno music]
>> ARE YOU AN AGGRESSIVE PERFORMER?
>> OH, YEAH.
>> WHY DO YOU SAY IT LIKE THAT?
IT'S ALMOST CREEPY.
[laughing]
A TODAY I'M HOPING TO BRING
LOT OF ENERGY AND GIVE IT MY ALL, 150%.
AND WHEN I'M OUT OF THAT,
COME UP WITH SOME MORE.
>> HELLO.
>> HOW YOU DOIN'?
>> I'M FINE.
>> HI.
>> YOUR NAME IS BRYAN.
>> YES, IT IS.
>> OKAY, AND WHY HAVE YOU
ENTERED THIS COMPETITION, BRYAN?
>> I'VE ENTERED SEVERAL
COMPETITIONS, AND I'VE DONE
WELL, AND I ENTERED A MOCK
AMERICAN IDOL COMPETITION.
>> AND HOW DID YOU DO IN IT?
>> GRAND PRIZE.
>> OH, YOU WON.
>> I WON.
>> ALL RIGHT, BRYAN,
SO WHAT ARE YOU GONNA SING?
>> I'M GONNA SING REBEL YELL BY BILLY IDOL.
>> OH, I LOVE THAT SONG.
>> OKAY.
>> GET READY.
>> [clears throat]
* LAST NIGHT A LITTLE DANCER *
* CAME DANCIN' TO MY DOOR *
* LAST NIGHT MY LITTLE ANGEL *
>> OW!
>> * CAME PUMPIN' *
* ON THE FLOOR *
* SHE SAID, COME, BABY *
* BOUGHT A LICENSE FOR LOVE *
* AND IF IT EXPIRES *
[shouting]
* PRAY HELP FROM ABOVE *
* BECAUSE *
* IN THE MIDNIGHT HOUR *
* SHE CRIED, MORE, MORE, MORE *
* WITH A REBEL YELL *
* SHE CRIED MORE, MORE, MORE *
* WHOA *
* IN THE MIDNIGHT HOUR, BABE *
* MORE, MORE, MORE *
* WITH A REBEL YELL *
* MORE, MORE, MORE *
* A MORE, MORE, MORE * *
>> YEAH, WHOA.
>> THAT'S WOKEN US UP, HASN'T IT?
>> THANK YOU.
>> PAULA?
>> WOW.
DOESN'T IT HURT YOUR VOICE--
>> NO.
>> DID IT HURT YOUR KNEES?
>> NO.
>> YOU'RE LIKE A MACHINE.
>> YES.
>> YOU'RE STEALTH.
I LIKE THAT.
>> IT WAS A LOT OF SHOUTING
WITHOUT A LOT OF MELODY.
I'M GONNA SAY NO.
>> YEAH, I'M GONNA HAVE TO PASS AS WELL.
>> SORRY, IT'S A NO, DUDE.
>> ALL RIGHT.
>> GOOD LOOKIN' OUT.
>> THANK YOU.
>> ALL RIGHT.
WELL, THANK YOU.
AS YOU HAVE TO WONDER WHAT W THE PERSON
WHO CAME IN LAST LIKE.
>> [chuckling]
>> WELL, IF WE'RE LOOKING FOR A BALLAD SINGER,
IT'S NOT YOU.
>> NO.
>> THAT WAS THE WINNER.
A CAN YOU IMAGINE YOU SINGIN'
LOVE BALLAD?
>> I CAN ACTUALLY DO IT.
>> YOU CAN?
>> BEAUTY AND THE BEAST.
>> OKAY, LET'S GO.
I'LL BE BEASTIE.
>> OKAY.
* IF I CLOSE MY EYES FOREVER *
* WOULD IT ALL BE THE SAME * *
>> I CAN'T DO IT.
I CAN'T DO IT, BUT, YOU KNOW, I LOVE YOU.
>> ALL RIGHT.
>> ALL RIGHT, MAN.
THANK YOU VERY MUCH.
GOOD TO SEE YOU.
>> ALL RIGHT.
>> OKAY.
>> GOOD-BYE.
AN SO SIMON WAS AWAKE, AND S ANTONIO WASN'T GONNA
LET HIM GET BACK TO SLEEP.
BUT WHOSE FACE FITS THE PICTURE?
WAS THERE ANYONE IN THE STADIUM
THAT THE JUDGES COULD REALLY SEE ON A CD COVER?
>> MY NAME IS HALEY SCARNATO.
I'M THE AGE OF 24.
I'VE BEEN SINGING SINCE THE AGE
OF 15 IN A WEDDING BAND.
'M WAS A LOT OF FUN,
BUT I FFOKING FORWARD TO VENTURING O
AND DOIN' OTHER STUFF.
THERE ARE QUITE A FEW PEOPLE,
AND THEY'RE BEIN' REAL PICKY IN WHAT THEY WANT.
IT'S--IT'S KIND OF FRIGHTENING.
I'M PRETTY CONFIDENT.
I MEAN, I KNOW WHAT I CAN GIVE,
AND WHAT I AM, AND, YOU KNOW,
I KNOW I'M GOOD AT SOME THINGS,
BUT THERE'S ALWAYS SOMEBODY OUT
THERE THAT'S BETTER,
AND YOU JUST GOTTA KEEP GOIN'.
AND YOU'RE GONNA BE TURNED DOWN SOMETIMES.
AND MAYBE IT'S YOUR CHANCE.
SO HOPEFULLY TODAY IS MY CHANCE,
BUT WE'LL SEE.
>> HELLO, HALEY.
>> HI.
>> HAVE YOU MET PAULA ABDUL?
>> I'VE NEVER MET PAULA ABDUL.
>> SO NICE TO MEET YOU.
>> NICE MEETING YOU.
>> CAN I SHAKE YOUR HAND?
>> CAN I COME UP?
>> YES, YOU CAN.
>> I'M NOT GONNA GET, LIKE,
ESCORTED OFF?
>> THANK YOU.
>> I LOVE YOUR OUTFIT.
>> REALLY?
>> YES, I DO.
WHERE'D YOU GET IT, DANSKIN?
OF NO, I GOT IT AT, LIKE, ONE
THOSE HOOCHIE STORES.
>> HOOCHIE MAMAS? OKAY.
>> THEY'RE TALKING FASHION.
THAT'S WHERE SIMON SHOPS.
HAVE YOU MET SIMON COWELL?
>> NEVER MET SIMON.
>> HOW ARE YOU?
>> HI. NICE TO MEET YOU.
>> YOU'RE LOOKIN' GOOD.
YOU'RE A PRETTY GIRL TOO.
>> THANK YOU.
>> SEXY.>> OKAY.
ALL RIGHT,
WHAT ARE YOU GONNA SING FOR US?
>> I CAN'T MAKE YOU LOVE ME
BY BONNIE ITT.
>> LOVE IT.
>> OKAY.
* LAY DOWN WITH ME *
* AND TELL ME NO LIES *
* JUST HOLD ME CLOSE *
* DON'T PATRONIZE *
* 'CAUSE I CAN'T *
* MAKE YOU LOVE ME *
* IF YOU DON'T *
* YOU CAN'T MAKE YOUR HEART *
* FEEL *
* SOMETHING IT WON'T *
* HERE IN THE DARK *
* IN THESE FINAL HOURS *
* I WILL LAY DOWN MY HEART *
* AND I'LL FEEL THE POWER *
* BUT YOU WON'T *
* NO YOU WON'T * *
>> YOU HAVE REAL NICE CONTROL OF YOUR VOICE.
>> THANK YOU.
>> VERY LOVELY.
>> THANK YOU.
>> RANDY?
>> I THOUGHT THAT YOU WERE GOOD AND CONTROLLED.
I MEAN, IT WAS, UH, IT WAS OKAY.
I MEAN, YOU KNOW.
YEAH.
>> I KIND OF AGREE WITH RANDY.
YOU KNOW, YOU LOOK GOOD.
YOU SOUND GOOD.
IT'S A BIT CABARET, NOT MUCH ORIGINALITY.
BUT YOU CAN'T SAY THAT YOU CAN'T SING,
BECAUSE YOU CAN SING.
BUT IN TERMS OF THE UNIQUE FACTOR...
>> YEAH.
>> I HAVE A SLIGHT PROBLEM.
>> AHH.
>> WHAT DO YOU THINK?
A UH, I THINK YOU DESERVE SECOND CHANCE,
SO I'M GONNA SAY YES.
>> I'M REALLY GLAD YOU SAID YES
ACAUSE I FEEL YOU DESERVE SECOND CHANCE TOO.
>> OH, THANK YOU.
>> OKAY, I'LL SAY YEAH TO A SECOND CHANCE TOO.
WELCOME TO HOLLYWOOD.
>> OH, MY GOD, YOU GUYS.
THANK YOU SO MUCH.
>> OFF YOU GO.
>> THANK YOU.
>> [screaming]
>> OH, MY GOD!
>> [screaming]
>> I HAVE A GOLD TICKET.
[laughs]
>> COMING UP, WE MEET A COUNTRY
GIRL IN PURSUIT OF A DREAM.
>> I WANT THAT GOLDEN TICKET.
I'M GOIN' TO HOLLYWOOD.
>> AND OUR LAST AUDITION CITY TURNS INTO A NIGHTMARE.
>> SIMON, YOU CAN KISS MY
[bleep].
>> Y'ALL BETTER LEARN WHAT GOOD SINGIN' IS!
>> RANDY, PAULA, AND SIMON, CAN KISS OUR...
>> WELCOME BACK TO SAN ANTONIO.
IT'S 10:00 AM AND THOUSANDS OF
EAGER CONTESTANTS ARE STILL FILING IN.
>> [cheering]>> WHOO!
>> OH.
>> THOSE WHO HAVE MADE IT TO THE
HOLDING ROOM ARE HAVIN' A HOEDOWN.
>> * YOU KNOW YOU LOOK SO FINE *
>> * LOOK SO FINE *
* COME ON AND SHAKE *
* A LITTLE CLOSER NOW *
>> * SHAKE A LITTLE CLOSER * *
>> BUT TO JASMINE HOLLAND, ALL
THOSE PEOPLE JUST MEANT MORE COMPETITION.
>> MY MAMA WAS, LIKE, READING
THE NEWSPAPERS, AND SHE'S LIKE,
"YOU SHOULD JUST GO," AND I WAS
LI, "NO, THAT'S TOO--YOU KNOW,
THAT'S A LOT OF PEOPLE TO
COMPETE AGAINST."
>> IS SHE PREPARED?
DO YOU THINK SHE'S READY FOR THIS MOMENT?
>> YES, YES.
MORE THAN READY FOR IT.
>> YES.
SHE'S BEEN WANTIN' TO SING.
SHE SINGS IN THE GOSPEL CHOIR.
SHE BEEN WANTIN' TO SING EVER
SINCE SHE WAS 7, SO...
>> AND NOW SHE'S HOW OLD?
>> 22.
>> WELL, IT'S TIME.
>> YEAH.
>> SHE'S WAITED LONG ENOUGH.
>> HI, GUYS.
>> HI.
>> HOW ARE YOU?
>> GOOD. HOW ARE YOU?
>> I'M FINE.
>> RIGHT ON.
>> [chuckling]
>> SO TELL ME ABOUT YOURSELF.
>> [chuckling]
IT'S ONE OF THOSE DAYS.
>> ARE YOU A LITTLE SHY?
>> YES, MA'AM.
>> "YES, MA'AM?"
>> AW.
>> LOVELY.
OFF YOU GO.
>> * I'VE SPENT ALL MY LIFE *
* ON A SEARCH TO FIND *
* THE LOVE I SEEK *
* FOR ETERNITY *
* THE HEAVEN SENT *
* TO FULFILL MY NEEDS *
* BUT WHEN I TURN AROUND *
* AGAIN *
* LOVE HAS KNOCKED ME DOWN *
* MY HEART GOT BROKEN *
* OH, IT HURTS SO BAD *
* AND I'M SAD TO SAY *
* LOVE WINS AGAIN * *
>> [chuckling]
>> [coughing]
>> WELL, BOYS...
ARE YOU OKAY, DEAR?
>> [clears throat]
I WAS ABOUT TO CHOKE ON MY WATER.
I'M SORRY.
>> ARE YOU OKAY?
>> [clears throat loudly]
SORRY, JAS. SORRY.
>> UH, THAT JUST WAS NOT THE
BEST AUDITION.
AND IT SEEMS LIKE YOU'RE REALLY SAD.
>> YEAH.
>> IT'S BECAUSE, LIKE, Y'ALL ARE
BEIN' RUDE, AND I DON'T
UNDERSTAND WHY YOU--
>> JASMINE, JASMINE--
>> NO, NO.
>> YOU DON'T KNOW ME, AND YOU
DON'T KNOW ANYTHING ABOUT ME.
COME IN 'CAUSE YOU VOLUNTEERED.
AND EVERYONE WHO COMES HERE
BELIEVES THEY'RE A GOOD SINGER.
YOU'RE NOT.
>> OKAY, BUT DO YOU HAVE TO BE NEGATIVE?
>> WELL, I CAN'T BE POSITIVE
AFTER THAT.
>> JASMINE, TRUST ME,
AFTER SIX YEARS NOW--
>> THERE'S NOTHING YOU CAN SAY.
>> JASMINE, IT WASN'T GOOD,DEAR.
>> YOU'RE ENTITLED TO YOUR OPINION.
>> RIGHT, OKAY.
>> BUT IT WASN'T GOOD.
>> AND WHAT DO YOU DO?
>> UH...
>> WHAT DO YOU DO?
>> PLAY, MAKE RECORDS.
OF UM, 'CAUSE I HAVEN'T HEARD YOU UNTIL
AMERICAN IDOL CAME, SO WHAT DO YOU DO?
>> WELL, YOU HAVE TO LOOK AT THE CHARTS, HONEY.
>> OH, YOU DO NOTHING.
YOU'RE IN THE BACKGROUND, RIGHT?
>> OH, NO.
I DO EVERYTHING.
>> NO. NO.
>> IT'S OKAY.
IT'S OKAY.
>> OKAY, YES OR NO?
>> [chuckling]
>> WHEN YOU GO INTO SOME PLACE
AND YOU'RE TRYING TO BECOME SOMETHIN',
FOR PEOPLE TO BE NEGATIVE--
AND THEY DON'T EVEN KNOW YOU--
AND BEFORE YOU EVEN OPEN YOUR MOUTH,
THEY'RE NEGATIVE, HOW CAN YOU, YOU KNOW
WHAT I MEAN?
HOW CAN YOU BE CALM IF THEY'RE RUDE?
SIMON, WHAT IS HE?
HE'S NOT EVEN AMERICAN.
>> YOU KNOW, HE NEEDS TO GO BACK.
>> WHO IS AN AMERICAN IDOL TO HIM?
HE'S NOT EVEN AMERICAN.
>> RIGHT, HE NEEDS TO GO BACK
TO--WHERE HE FROM, FRENCH?
>> WHEREVER THE HELL--
>> HE'S BRITISH.
>> BRITISH?
HE NEED TO GO BACK TO BRITISH
AND BE JUDGE FOR BRITISH PEOPLE.
>> HE'S RUDE.
>> HE'S AN [bleep].
>> BECAUSE HE'S NOT AN AMERICAN,
ND HOW CAN HE TELL WHO SINGS A NOT SINGS?
>> AND RANDY LOOKS LIKE A FAT SLOB,
LIKE HE JUST GOT UP AND PUT ON ANYTHING.
>> THOSE ARE MY FRIENDS--
TWO OF 'EM, SO...
AN RANDY, PAULA, AND SIMON C KISS OUR [bleep].
LS IT SEEMED LIKE THE LOCA
WERE IN A PRICKLY MOOD.
WHAT WE NEEDED WAS A TEXAS ROSE,
SOMEONE LIKE BAYLIE BROWN.
I'M 16, AND I'M FROM KRUM.
AND IT'S A LITTLE BITTY TOWN IN NORTHERN TEXAS.
I SEE MYSELF AS A CITY GIRL STUCK IN
A SMALL TOWN, REALLY SMALL TOWN.
EN OUR BARN, WE HAVE ABOUT SEV HORSES.
WE HAVE TWO LAMBS, TWO CATS,
AND ABOUT 12 STEERS THAT THEY ROPE OFF OF.
>> BAYLIE IS A COUNTRY GIRL
BECAUSE SHE OBVIOUSLY LIVES OUT
ND THE COUNTRY, LIVES AROU HORSES.
BUT THEN HER STYLE IS NOT COUNTRY AT ALL.
>> SOMETIMES HORSES SCARE ME.
>> [snorts]
>> EVERY TIME I WALK UP TO 'EM,
I'M SCARED THEY'RE JUST GONNA
COME AND EAT ME OR SOMETHIN'.
>> BAYLIE DOES NOT SPEND A LOT OF TIME IN THE BARN.
IT'S HARD TO WALK OUT INTO THE
CATTLE PASTURE IN A PAIR OF HIGH HEEL SHOES.
>> [laughing]
>> I'M REALLY INTO FASHION,
SO I GET MOST OF MY INFLUENCES FOR
MY STYLE FROM FASHION MAGAZINES.
I LOVE READING MAGAZINES.
>> THE WAY SHE DRESSES IS NOT COUNTRY.
>> THIS IS MY FAVORITE BELT I HAVE.
>> SHE LIKES TO, YOU KNOW,
BE ALL DOLLED UP WHEN SHE GOES SOMEWHERE.
A I DO NOT FEEL LIKE I FIT IN SMALL TOWN.
I LOVE ALL THE PEOPLE TO DEATH,
BUT IT'S JUST NOT FOR ME.
I'M A CITY GIRL.
>> IF BAYLIE MAKES IT TO HOLLYWOOD,
SHE WILL BE RIGHT IN HER ELEMENT.
> I WANT THAT GOLDEN TICKET.
I'M GOIN' TO HOLLYWOOD.
>> COME ON IN.
>> HOW ARE Y'ALL?
>> HOW ARE YOU?
I LIKE--SHE JUST SAID, "HOW ARE Y'ALL?"
>> OH, YOU'RE IN TEXAS.
>> WHAT'S YOUR NAME?
>> I'M BAYLIE BROWN.
>> BAYLIE BROWN.
AND HOW OLD ARE YOU?
>> I'M 16.
>> ALL RIGHT, SO WHAT ARE YOU
GONNA SING FOR US TODAY?
>> I'M GONNA SING A SONG BY FAITH HILL.
IT'S CALLED STRONGER.
>> OKAY, GO FOR IT.
>> * THIS IS THE WINDOW *
* TO MY HEART *
* I JUST WANT YOU *
* TO BE FREE *
* THERE AIN'T NO FREEDOM *
* WHERE WE ARE *
* AIN'T NO WISHES *
* IN THESE STARS *
* AIN'T NO REASON TO BELIEVE *
* SO CRY FOR ME, BABY *
* AND I'LL CRY FOR YOU *
* AND WE'LL BOTH BREAK DOWN *
* AND WE'LL BOTH BREAK THROUGH *
* FIND OUR WAY *
* AND FACE THE TRUTH *
* WE BOTH WILL BE STRONGER *
* AND WE'LL LIE DOWN *
* IN OUR LONELINESS *
* AND WAKE UP WITH OUR *
* SAD, SAD, REGRETS *
* EVEN THOUGH *
* WE DON'T KNOW IT YET *
* WE BOTH WILL BE STRONGER *
* WE BOTH WILL BE STRONGER * *
>> ALL RIGHT, COOL, COOL.
SO IT SAYS HERE YOU LIVE ON A RANCH.
>> IT'S KINDA LIKE A RANCH.
THAT'S WHAT THEY TOLD ME.
>> LOTTA COWS, HORSES.
>> LOTSA COWS, LOTSA HORSES.
>> ANY BULLS?
>> ACTUALLY, I THINK WE HAVE TWO.
>> CAN WE MOVE THIS ON, PLEASE?
>> [laughing]
>> SO EXCITING, I KNOW.
>> SIMON, WHAT DO YOU THINK ABOUT HER SINGING?
>> I THINK, BAYLIE,
YOU ARE ONE OF THESE GIRLS WHO IS PROBABLY
BORN TO BE A POP STAR,
BASICALLY, YOU KNOW.
YOU--YOU LOOK GREAT.
YOUR PERSONALITY'S FANTASTIC.
YOUR VOICE ISN'T GREAT AT THE MOMENT.
I'M SURE IT WILL BE IN TWO OR THREE YEARS' TIME.
>> MM-HMM.
>> HAVING SAID THAT, YOU ARE
COMMERCIAL WITH A CAPITAL C.
>> OKAY.
>> I MEAN, JUST A RECORD LABEL'S DREAM.
>> YEAH.
>> I MEAN, YOU REALLY, REALLY ARE.
>> THANK YOU.
>> YEAH.
>> IS THAT A GOOD THING OR A BAD THING?
>> OH, THAT'S A GOOD THING.
>> THAT'S A GOOD THING, TRUST US.
>> THAT'S A GOOD THING.
>> YEAH, AND YOU'VE GOT YOUR
ISSHION THING GOIN' ON,
WHICH ARY SURPRISING IF YOU LIVE IN
WSWN WHERE THEIR ARE MORE CO THAN PEOPLE.
>> ARE YOU TRYING TO SAY SMALL TOWNS
HAVE NO FASHION SENSE?
>> IF THERE ARE MORE COWS THAN PEOPLE,
I'M SAYING YOU'VE GOT A GOOD SENSE OF STYLE.
>> OKAY, SO LISTEN, MOMENT OF TRUTH.
SIMON, YES OR NO?
>> 100% YES.
>> PAULA, YES OR NO?
>> YES, YES, YES.
>> YES.
WELCOME TO HOLLYWOOD!
YEAH, BAYLIE BROWN.
>> I LIKE THE NAME.
>> YEAH, IT'S A GOOD NAME.
>> [screaming and whistling]
>> OH, MY ANGEL.
>> YEE-HAW!
>> IT WAS GREAT.
>> I WANT MY NAME TO BE BAYLIE.
>> STAY WITH US ON
AMERICAN IDOL.
>> WHOO!
ED COMING UP, WE'RE INTRODUC TO A DYNAMIC DUO.
>> I'M BRUCE BANNER.
THIS IS INCREDIBLE HULK.
>> GRRR.
>> [chuckling]
>> AND EVERYONE ELSE IS
INTRODUCED TO THE DOOR.
>> OH!
>> DON'T MAKE ME COME BACK IN
THERE AND TELL Y'ALL AGAIN.
THAT'S GOOD SINGING.
>> WELCOME BACK TO SAN ANTONIO,TEXAS,
WHERE AUDITIONS HAVE BEEN
GOING ON FOR A FEW HOURS NOW.
OMESE ARE THE JUDGING RO DOORS.
OVER THE COURSE OF THE MORNING,
WE HAVE SEEN DOZENS OF PEOPLE COMING OUT.
SOME WERE HAPPY.
>> [screaming]
>> SOME TOOK IT SLOW.
OTHERS COULDN'T WAIT TO LEAVE.
GOLDEN TICKET TO THE PLACE
THEY WANT TO GO...
>> [screaming]
>> HOLLYWOOD.
THE ONE THING WE'VE LEARNED
OTIS SEASON IS THAT IT'S N
JUST HOW YOU COME THROUGH THE DOORS,
BUT WHETHER YOU CAN MAKE
IT OUT AT ALL.
[door handle rattles]
ONE CONTESTANT...
TWO DOORS.
[spaghetti western music]
THE DECISION HAS BEEN MADE.
ONE DOOR LEADS TO FREEDOM...
THE OTHER, HUMILIATION IN FRONT
OF THE JUDGES.
THERE IS ONLY A 50/50 CHANCE
THEY CAN MAKE IT OUT ALIVE.
>> THANK YOU VERY MUCH.
>> THANK YOU.
[rattling]
>> IT'S THE OTHER ONE.
>> OTHER DOOR.
>> RIGHT.
>> WRONG DOOR.
>> OTHER DOOR.
OTHER DOOR.
>> WHAT'S WITH THESE DOORS?
>> OH!
>> OTHER DOOR.
>> THANK YOU SO MUCH.
* BABY *
* BABY, BABY * *
>> PUSH.
>> PUSH!
PUSH!
>> OH, FOR [bleep] SAKE.
>> PUSH!
[clack]
>> OH.
>> OTHER DOOR.
>> HALLELUJAH!
[crash]
>> OW!
>> OTHER DOOR.
>> NEXT DOOR.
WRONG ONE.
>> NO, NO, NO. YES, YES, YES.
>> NO, NO, NO.
THE FIRST ONE.
FIRST ONE--PUSH.
PUSH.
THAT'S IT, DEAR.
OTHER DOOR.
OTHER DOOR, OTHER DOOR.
>> OTHER DOOR.
>> OH, OKAY.
>> [chuckling]
>> OTHER DOOR.
>> ARGH!
>> THAT'S GONNA BE THE THEME FOR
THE ENTIRE SEASON: "OTHER DOOR."
>> OTHER DOOR.
>> NO. LOOK AT HIM.
HTU CAN'T EVEN GO IN THE RIG DOOR.
>> [laughing]
>> YOU CAN'T EVEN GO IN THE
RIGHT DOOR.
>> WRONG DOOR.
>> OH.
>> OTHER DOOR.
>> IT'S THE OTHER DOOR.
>> OTHER DOOR, PAULA.
>> [laughing]
YES.
>> OTHER DOOR.
>> I WIN!
>> [screaming]
>> WOW!
>> SHE BROKE THROUGH THE LOCKED DOOR.
>> HALLELUJAH!
>> OH, AMAZING.
>> OUTSIDE THE DOORS, WAITING
FOR THEIR CHANCE, WERE TWO COUSINS.
>> I'M AKRON.
>> I'M WILLIAM, AND I'M HERE TO
BE THE NEXT AMERICAN IDOL.
>> HEY, I'M GONNA BE THE NEXT AMERICAN IDOL.
>> HEY, NO, YOU'RE NOT.
>> WHAT YOU GONNA DO ABOUT IT?
>> WE'LL TAKE IT OUTS--YEAH.
I'M FROM DALLAS, TEXAS, YES.
>> WHATEVER.
>> YEAH, ALL RIGHT.
SEE ME OUTSIDE.
>> WE'RE COUSINS, AND WE LIVE
TOGETHER, AND WE'RE THE EXACT OPPOSITE.
I'M BRUCE BANNER.
THIS IS INCREDIBLE HULK.
>> GRRR.
>> [chuckling]
>> WE'VE BEEN LIVING TOGETHER
SINCE I WAS 14.
HIS MOM TOOK ME IN.
TOOK CARE OF ME, NEVER ASKED FOR ANYTHING.
>> [imitates violin playing]
>> NEVER ASKED FOR ANYTHING,
AND I LOVE 'EM FOR THAT.
AMERICAN IDOL IS EVERYTHING.
WE'RE BOTH UNEMPLOYED,
NO OTHER SOURCE OF INCOME.
EVERYTHING WE HAVE IS RIDIN' ON THIS.
THE $3 IN MY POCKET
IS RIDIN' ON THIS.
EVERYTHING WE HAVE IS IN THIS
AUDITION RIGHT HERE.
LET'S SEE WHAT THEY SAY.
>> WILLIAM GREEN, COME ON IN,DAWG.
>> HOW YOU ALL DOIN' TODAY?
>> WHAT'S UP, BABY?
>> TAKE THESE SHADES OFF SO
Y'ALL CAN TAKE A GOOD LUCK AT ME.
>> AH, YEAH, THERE YOU GO, MAN.
>> RAISE MY HAT UP SOME.
>> SO YOU'RE HERE BECAUSE YOU
THINK YOU ARE THE NEXT AMERICAN IDOL?
>> YES, SIR, I DO.
>> YOU READY FOR THIS, DAWG?
>> YES, SIR.
>> GO FOR IT.
GO FOR IT, BABY.
GO FOR IT.
>> [very low and off-key]
* AMA...ZING GRACE *
* HOW SWEET *
* THE SOUND *
* THAT SAVED *
* A WRETCH *
* LIKE ME *
* I ONCE *
* WAS LOST *
* BUT NOW *
* I'M FOUND *
* WAS BLIND *
* BUT NOW *
* I SEE * *
>> ALL RIGHT.
ALL RIGHT, ALL RIGHT, ALL RIGHT.
>> [chuckling]
NA IT LOOKED LIKE IT WAS GON
TAKE A COUPLE DAYS, MAN.
I WAS LIKE, "YEAH, WHAT'S GOIN' ON?"
>> WE COULD HAVE HAD BREAKFAST,
LUNCH, DINNER, FLEW BACK TO
LDA., COME BACK, AND YOU WOU
ATVE STILL BEEN SINGING TH SONG.
I MEAN, IT WAS, LIKE,NEVER-ENDING.
>> I MEAN, HIP-HOP IS NORMALLY
WHAT I DO, BUT, I MEAN,
I CAME DOWN HERE WITH MY COUSIN.
AND HE'S COMIN' IN NEXT.
>> I CAN'T WAIT.
>> I SLEPT OUT ON THE CURB--
OF WHO'S THE BETTER ONE OUT
YOU AND YOUR COUSIN?
>> MY COUSIN.
>> THANK GOD YOU SAID THAT.
>> [chuckling]
>> OKAY, YES OR NO?
>> NO. I'M GONNA SAY NO, DAWG.
>> PAULA?
>> NO.
>> SORRY.
>> OH, OKAY.
>> BUT WE APPRECIATE YOU, MAN.
>> APPRECIATE Y'ALL.
APPRECIATE Y'ALL.
NOW I'M GONNA WALK OUT THE DOOR
AND SHOUT SOME TRASH BACK,
BUT THAT'S JUST FOR THE CAMERAS.
>> ABSOLUTELY.
>> YEAH, DO YOUR THING.REPRESENT.
>> REPRESENT?
OKAY.
AND DON'T MAKE ME COME BACK
IN THERE AND TELL Y'ALL AGAIN!
THAT'S GOOD SINGING!
>> YEAH, YEAH.
>> Y'ALL BETTER LEARN WHAT GOOD
SINGING IS!
>> YEAH!
>> [laughing]
>> I DIDN'T MAKE IT.
>> IT'S ALL RIGHT.
>> I DIDN'T MAKE IT.
THAT'S GOOD, DAWG.
THAT'S GOOD.
OH, I WANTED TO SLAP RANDY.
OH.
>> [chuckle] HI.
>> COUSIN'S WALKIN' IN SLOW,DAWG.
>> WERE YOU OUTSIDE LISTENING TO
WHAT WAS GOIN' ON IN HERE?
>> I COULDN'T HEAR, BUT I SAW--
>> YOU'RE LUCKY.
>> WHAT ARE YOU GONNA SING FOR US?
>> I'M GONNA SING SAM COOKE,
A CHANGE GONNA COME. READY?
* I WAS BORN BY THE RIVER *
* IN A LITTLE TENT *
* AND JUST LIKE THAT RIVER *
* I'VE BEEN RUNNING EVER SINCE *
* IT'S BEEN A LONG *
* A LONG TIME COMIN' *
* BUT I KNOW *
* A CHANGE GOIN' COME *
* OH, YES, IT IS * *
OD YOU KNOW, YOU'RE A GO SINGER.
THERE IS JUST A MASSIVE
EMRSONALITY CHARISMA PROBL HERE.
I WAS BORED, AND IT WASN'T THAT
LONG--YOUR AUDITION.
PAULA?
>> I MUST SAY THAT WHEN YOU
OPENED UP YOUR MOUTH TO SING,
IT WAS A VERY NICE SURPRISE.
ND BUT HE SAID HE WAS BORED,
A I DON'T WANT HIM TO BE BORED.
>> I WAS BORED.
>> I DON'T WANT HIM TO BE BORED.
>> WELL, THEN YOU SHOULDN'T BE
WASTING TIME TALKING.
YOU SHOULD BE DOIN' SOMETHING
THAT MAKES HIM NOT BORED.
>> OKAY.
[clears throat]
* I'VE BEEN REALLY TRYIN' *
* BABY *
* TRYIN' TO HOLD BACK *
* THIS FEELIN' *
* FOR SO LONG *
* AND IF YOU FEEL *
* LIKE I FEEL, BABY *
* COME ON *
* OH *
* COME ON *
* WHOO *
* LET'S GET IT ON * *
>> OKAY.
I'M GONNA SAY YES.
HEY, YOU'VE GOT A GOOD VOICE.
>> THANK YOU.
>> I THINK IT'S WORTH YOU COMING BACK.
I DO.
>> THAT MEANS...
>> WELCOME TO HOLLYWOOD, BABY.
>> YES!
YES!
>> WELCOME TO HOLLYWOOD.
>> THAT'S WHAT WE WANT TO SEE.
>> OH, YEAH, YEAH, YEAH.
THAT'S THE SPIRIT.
ALL RIGHT, BABY.
>> THANK YOU.
>> YOU'RE WELCOME.
>> THANK YOU.
>> OTHER DOOR.
>> THANK YOU.
YES!
>> NO WAY!
>> YES!
OH!
HOLLYWOOD, BABY!
I'M GOIN' TO HOLLYWOOD!
>> [screaming]
>> YEAH, BABY.
OH!I'M GOING TO HOLLYWOOD!
>> NOT HAPPY.
>> [chuckling]
>> NOT HAPPY.
>> HE'S TALENTED, RIGHT HERE.
HE'S TALENTED.
AKRON WATSON.
AMERICAN IDOL 2007.
THERE'S TALENT RIGHT HERE.
THE NEXT AMERICAN IDOL!
>> I'M GONNA GO SLEEP--
>> WHOO!
>> [chuckling]
TS STILL AHEAD, SAN ANTONIO GE SENTIMENTAL.
>> AW.
>> BUT NOT FOR LONG.
>> SIMON, YOU CAN KISS MY [bleep].
IS COULD IT BE THAT TEXAS
TAPPED OUT OF TALENT?
* KENNY ROGERS, UH *
* UH, LEFT TO THE PAH... * *
>> HERE IN SAN ANTONIO,
EVERYBODY KNOWS THE PHRASE,
"REMEMBER THE ALAMO."
HOWEVER, THERE WERE SOME PEOPLE
THAT WE'D LIKE TO FORGET.
* HE IS SO *
* INTELIGE-E-E-E-E *
* YEAH, EH-HEH HENT *
* SO-OH-OH-OH *
* WHOA INTELLIGENT * *
* I KNOW A PLACE WHERE YOU CAN *
* GET AWAY *
* IT'S CALLED THE DANCE FLOOR *
* AND HERE'S WHAT IT'S FOR *
* SO *
* COME ON *
* VOGUE * *
>> WOW.
>> WHAT NORMALLY HAPPENS WHEN
YOU SING IN PUBLIC, DEBORAH?
OUT OF INTEREST.
>> I'VE HAD A FEW PEOPLE CRY.
>> I CAN BELIEVE THAT.
>> SO AS YOU CAN EXPECT, WE WERE
VERY HAPPY TO MEET SOMEONE WITH
REAL EXPERIENCE.
>> MY VOICE IS KINDA--IT'S VERY
BLUESY, SOULFUL-SOUNDING.
>> NOW TELL ME ABOUT YOUR
SINGING BACKGROUND.
WHERE HAVE YOU HAD A CHANCE TO
CULTIVATE YOUR PERFORMING?
>> WELL, I HAVE SANG SINCE I
WAS SIX YEARS OLD AND, LIKE,
LITTLE PARTIES, TALENT SHOWS,
NGD, UM, TWO YEARS AGO, I SA
FOR THE MAYOR.
>> THE MAYOR OF HOUSTON?
>> I THINK I HAVE THE VOICE.
I'VE GOT TALENT.
AND I THINK THE WORLD'S READY FOR ME.
>> THE MAYOR OF HOUSTON LOVED YOUR SINGING?
>> YES.
>> YOU THINK THE JUDGES WILL
REACT THE SAME WAY?
>> HOPEFULLY.
>> THE MAYORS OF HOLLYWOOD IN THERE?
>> HOPEFULLY.
>> WHAT IS THE SONG YOU'VE CHOSEN?
>> I'M GONNA BE SINGING BLACK VELVET FROM ALANNAH MYLES.
>> OKAY.
>> * YEAH *
* MISSISSIPPI *
* MIDDLE OF A--OF A DRY SPELL *
* KENNY ROGERS, UH *
* UH, LEFT TO THE PAH... *
* MAMA'S BABY *
* HEART OF EVERY SCHOOLGIRL *
* YOU LOVE ME *
* AND OOH-AH *
* LEFT ME *
* CRYING IN THE AISLES *
* THE BOY COULD SING *
* KNEW HOW TO MOVE *
* UH-EVERYTHING, UH *
* ALWAYS WANTING MORE *
* LEAVE YOU LONGING FOR *
* BLACK VELVET *
* LITTLE BOY, UH *
* SMILE * *
>> SANDIE, I DIDN'T UNDERST AND A WORD OF THAT.
>> I'M SORRY.
>> I COULDN'T--I MEAN, IT WAS
LITERALLY LIKE SOME LANGUAGE
I'VE NEVER HEARD IN MY LIFE.
ISVE GOT TO ASK YOU TH ATESTION,
SANDIE--WAS TH SERIOUS?
>> OH.
>> AW.
>> ALL RIGHT, I'M SORRY I ASKED.
>> [crying indistinctly]
>> IT'S OKAY, SWEETHEART,
YOU DON'T HAVE TO APOLOGIZE.
YOU DON'T HAVE TO APOLOGIZE AT ALL.
>> WELL, SHE DOES A BIT.
>> CAN I TRY ANOTHER SONG?
>> SIMON, STOP IT.
>> ALL RIGHT, NO, NO.
WE DON'T NEED A SECOND SONG,SANDIE.
IT WAS JUST--IT WAS JUST--
IT DIDN'T WORK.
>> OKAY.
>> SANDIE, YOU WANT US TO BE HONEST WITH YOU, RIGHT?
>> YES.
>> IT REALLY WASN'T GOOD, DEAR.
I MEAN, YOU KNOW.
>> YOU'RE A TEACHER?
>> YES, MA'AM.
>> YOU KNOW WHAT?
TEACHING IS A WONDERFUL THING.
MAYBE THAT'S SOMETHING THAT YOU
SHOULD BE REALLY GRATEFUL FOR--FOR DOING.
AND REALIZING THAT THIS IS FOR
PEOPLE WHO REALLY, REALLY SING,
AND...
>> I JUST THOUGHT I'D SING
BECAUSE I PERFORMED IN A LOT OF PLACES,
EVEN FOR THE MAYOR OF HOUSTON AND EVERYTHING.
>> YOU SANG FOR THE MAYOR OF HOUSTON?
>> YES, SIR.
>> WELL, DID HE LIKE IT?
>> YES.
>> WELL, WE WENT TO HOUSTON ONE YEAR.
>> THAT'S WHY I THOUGHT MAYBE--
>> SIMON.
>> WELL, WE DID.
OKAY, YES OR NO, RANDY?
>> AND I'M ALSO NERVOUS, SO.
>> NO, I COULD GET THAT.
RANDY, YES OR NO?
>> UH, I GOTTA SAY NO.
>> OKAY.
>> PAULA?
>> I'M SORRY, BUT NO.
>> OKAY.
>> THANKS, HONEY.
>> THANK YOU FOR COMING OUT,THOUGH.
>> OKAY.
>> OTHER DOOR.
>> NO.
I JUST FEEL LIKE I LET EVERYBODY DOWN.
IS YEAH, WELL, THE WORST NEWS
IT SAYS SHE'S A MUSIC TEACHER.
>> [laughing]
>> IT SEEMS SAN ANTONIO IS
TURNING A BIT SAN AN-TONE DEAF.
SO THE PRESSURE'S ON FOR ASHLYN CARR.
A I'VE GOT TO ASK YOU QUESTION HERE, ASHLYN.
>> YES?
IN IT SAYS YOU WERE BEATEN UP
HIGH SCHOOL BECAUSE YOU HAD A GOOD VOICE.
>> OH, YEAH, IT'S TRUE.
>> SERIOUSLY.
>> I'M BEIN' DEAD SERIOUS.
I GOT MY HEAD KNOCKED INTO THE FLOOR.
>> BY WHO?
>> THIS BIG GIRL.
>> DID YOU HAVE STITCHES IN YOUR HEAD?
>> NO, I HAD A CONCUSSION.
I BLACKED OUT.
>> GOD, THAT WAS--
EN WELL, ASHLYN, I RECKON TH FOR THIS SONG,
YOU SHOULD JUST THINK ABOUT THESE PEOPLE WHO
INAT YOU UP AND BEAR THAT MIND...
>> OH, OH, YES.
>> AS INCENTIVE.
WHAT'S THE SONG?
>> FEELING GOOD BY NINA SIMONE,
BUT I'M GONNA DO
THE MICHAEL BUBLE VERSION.
>> GREAT.
>> OKAY, READY?
* IT'S A NEW DAWN *
* IT'S A NEW DAY *
* NEW LIFE *
* FOR ME *
* AND I'M FEELING GOOD *
* DRAGONFLIES OUT IN THE SUN *
* YOU KNOW WHAT I MEAN *
* DON'T YOU KNOW *
* BUTTERFLIES ALL HAVIN' FUN *
* YOU KNOW WHAT I MEAN *
* SLEEP IN PEACE *
* TILL DAY IS DONE *
* THAT'S WHAT I MEAN *
* AND THIS OLD WORLD *
* IS A NEW WORLD *
* AND A BOLD WORLD *
* FOR ME * *
>> INTERESTING.
>> UH...WILD.
HMM.
>> SIMON?
>> WELL, YOU DEFINITELY HAVE A UNIQUE VOICE.
UH, BUT IT WAS, YOU KNOW,
THE WHOLE--YOUR FACIAL
EXPRESSIONS AND YOUR PHRASING.
>> WELL, I THINK SHE DID THE
ASCHAEL BUBLE VERSION STILL NINA SIMONE.
>> OKAY, RANDY, YES OR NO?
>> I DON'T KNOW.
I'M A LITTLE CONFUSED BY THIS ONE.
I, UH...HUH.
>> YOU KNOW WHAT IT IS, ASHLYN--
AND THIS IS THE HARDEST THING TO
TRY TO EXPLAIN--BUT YOU HAVE--
YOU NEED TO LOOK AT YOURSELF IN
THE MIRROR AND WATCH YOURSELF PERFORM.
AND WATCH WHAT YOU'RE DOING WHEN
ESU'RE DOING THESE WEIRD FAC
BECAUSE WHAT IT DOES, IT TAKES
AWAY FROM HEARING YOUR VOICE.
AND THEN WE'RE STUCK ON WATCHING
THESE FACIAL EXPRESSIONS THAT YOU MAKE.
>> AND YOU NEED A GREAT VOCAL COACH.
>> YEAH, IT'S ALMOST LIKE
THERE'S MORE ATTENTION PAID TO
THE AFFECTATIONS IN THE FACES
THAN THERE ACTUALLY IS TO THE
SONG AND THE MELODY.
>> OKAY, LET'S SUM THIS UP.
RANDY, YES OR NO?
>> I'M GONNA HAVE TO SAY NO.
I DON'T THINK YOU'RE QUITE READY YET.
>> AND IT BUMS ME OUT BECAUSE
I--AW, SEE--
>> I'M SORRY, GUYS.
I'M SORRY.
DON'T PAY ANY ATTENTION TO ME.
>> I KNOW, I KNOW.
DO YOU UNDERSTAND YOU ARE A--
A RARE--YOU'RE A VERY RARE TALENT.
I'M GONNA HAVE TO PASS.
I'M SORRY.
>> OKAY.
THANK YOU.
>> I JUST WISH YOU WOULD--
I WISH.
WELL.
>> THANK YOU.>> THANK YOU.
>> ASHLYN, I WOULD HAVE SAID YES.
>> THANKS, SIMON.
>> HERE IS THE VERDICT.
NO.
>> OH.
>> OH, MY GOD.
>> [sobbing]
>> YOU GOT IT.
>> I DIDN'T MAKE IT.
>> WHAT WERE YOU MISSING?
WHAT DID THEY SAY YOU NEEDED?
>> UH, THEY SAID THAT I HAVE
WEIRD FACIAL EXPRESSIONS.
A I STILL THINK WE MADE
MISTAKE WITH THAT GIRL.
>> BRING HER BACK IN.
>> YOU JUST NEED--YOU LISTEN--
>> ASHLYN CARR--
BRING HER BACK IN.
>> YOU CAN BRING HER BACK IN.
WE MAKE MISTAKES.
I MEAN...
>> YEAH.
>> NOW THE JUDGES HAVE ASKED YOU
TO STEP BACK IN THE ROOM ONE
MORE TIME, OKAY?
>> OKAY.
>> WILL YOU DO THAT?
>> OKAY.
>> IT'S OKAY?
>> OKAY.
>> ALL RIGHT, I'M GOING SEND YOU
BACK IN THE ROOM ONE MORE TIME
TO HAVE A CHAT WITH THEM.
>> IS SHE READY THIS TIME?
FIND OUT AFTER THE BREAK.
>> WELCOME BACK TO SAN ANTONIO.
NOW, BEFORE THE BREAK,
ASHLYN CARR FOUND OUT SHE'S
GONNA GET A RARE SECOND SHOT AT HOLLYWOOD.
>> ASHLYN CARR--
BRING HER BACK IN.
>> YOU CAN BRING HER BACK IN.
>> OH, MY GOD.
>> THEY'RE GIVING HER ANOTHER CHANCE.
>> OH, MY GOD.
IS WE'LL SEE WHAT HAPPENS TH TIME.
>> SHE CAN DO THIS.
>> SHE SAID SIMON SAID YES,
AND THE OTHER TWO SAID NO.
>> SHE CAN DO THIS.
>> SHE CAN DO IT.
>> HEY.
>> HELLO.
>> HI, SWEETHEART.
HOW ARE YOU FEELING?
>> I'M FEELING PTTY GOOD.
>> YEAH?
COULD YOU KINDA UNDERSTAND WHAT
WE WERE SAYING TO YOU?
>> YES, I DO.
>> YOU DID?
>> YEAH.
>> I UNDERSTAND HOW MY FACIAL
OMPRESSIONS CAN TAKE AWAY FR MY SINGING.
>> OKAY.
WE'VE NEVER DONE THIS BEFORE.
CHOOSE A SONG WE KNOW, LIKE A
GLADYS KNIGHT SONG OR SOMETHING LIKE THAT.
>> INSEPARABLE.
>> GREAT.
>> OKAY.
* INSEPARABLE *
* THAT'S WHAT WE'LL ALWAYS BE *
* INSEPARABLE *
* JUST YOU AND ME *
* IT'S SO WONDERFUL *
* TO KNOW YOU'LL ALWAYS BE *
* AROUND ME * *
>> OKAY, LOOK, I'VE GOT TO SAY THIS.
YOU HAVE SOME VERY, VERY BAD HABITS,
MUCH, MUCH WORSE THAN
YOU KNOW.
WHICH I DON'T KNOW IF YOU'RE
OFER GONNA BE ABLE TO GET OUT THOSE HABITS.
BUT I THINK WE ARE LOOKING FOR
SOMEBODY WHO IS UNIQUE.
THERE'S SOMETHING ABOUT YOU.
YOU'RE LIKE AN OLD SCHOOL
DIONNE WARWICK.
>> YEAH, VERY DIONNE.
OD AND I THINK YOU'RE TOO GO
TO PASS UP ON.
>> WELL, I LIKE YOU 'CAUSE
YOU'RE DIFFERENT.
>> RANDY, YES OR NO?
>> I'M GONNA SAY YES.
>> PAULA?
>> YOU NEED TO BREAK FREE OF
SOME HABITS, AND I THINK THAT
YOU CAN IF YOU REALLY WORKED ON IT.
SO I THINK YOU HAVE TIME TO WORK
ON IT BEFORE YOU COME TO
HOLLYWOOD, SO I THINK YES.
>> YOU'RE GOING TO HOLLYWOOD.
[applause]
>> WELCOME TO HOLLYWOOD, DEAR.
>> THANK YOU.
>> WELCOME TO HOLLYWOOD!
>> YOU DESERVE IT, KID.
>> [screaming]
>> YOU GOT IT.
MY, MY, MY, HOW THAT WALK
OUTSIDE THE DOOR HAS CHANGED.
>> WHOO!
>> THANK YOU.
>> PERSISTENCE PAYS OFF HERE IN
SAN ANTONIO.
>> THAT'S RIGHT.
THANK YOU.
>> THANK YOU.
>> SO ASHLYN EARNS HER TICKET TO
HOLLYWOOD, BUT SHE'S NOT THE
ONLY ONE IN A GIDDY MOOD.
THE JUDGES ARE GETTING A LITTLE
EXCITED THAT THE END OF OUR
SEVEN-CITY TOUR IS IN SIGHT.
>> HOORAY.
>> NOTHING COULD BRING THEM DOWN.
AS BUT JACOB TUTOR W DETERMINED TO TRY.
>> MY NICKNAME IS JAKE THE SNAKE.
MY FAMILY WAS IN THE
ENTERTAINMENT BUSINESS,
ITOTHER, SO Y GRAN
KINDA RUNS IN OUR BLOOD.
IS I KINDA WANNA KEEP TH
LEGEND UP AND RUNNING.
>> WHO ARE SOME OF YOUR MUSICAL
INFLUENCES?
WE SEE SO MANY DIFFERENT KINDS
OF PEOPLE ON THIS SHOW.
>> WELL, THERE'S KURT COBAIN.
THERE'S AXL ROSE FROM GUNS N'ROSES, UM...
>> CELINE DION.
>> NO.
>> [laughs]
>> * DOWN IN THE DARKNESS *
* I BELIEVE *
* THAT YOU WILL NOT *
* TORMENT ME *
* DOWN BELOW AGAIN *
* I WILL SEE *
* THAT YOU'LL NEVER BE WITH ME *
* DOWN WHERE I CAME FROM *
* THE HELL *
* I WILL NEVER SAY HELLO * *
NG IT WOULD MAKE A GREAT WINNI
SONG FOR THIS COMPETITION.
>> [laughing] WOW.
A I THINK YOU NEED TO BE IN
VERY DARK BEDROOM WHEN YOU SING
THAT SONG.
I DO.
IN NOT A GREAT MOOD.
>> SORRY, DUDE, IT'S A NO.
>> ALL RIGHT.
ALL RIGHT.
SEE YA.
>> JACOB?
>> WELL, I DIDN'T MAKE IT.
>> WHAT HAPPENED?
AT APPARENTLY I'M NOT WH
THEY'RE LOOKING FOR.
>> WHAT ARE THEY LOOKING FOR?
WHY AREN'T YOU IT?
>> SOMEONE THAT'S NOT TOO DARK.
SO WHATEVER.
UM, WHATEVER FLOATS THEIR BOATS.
THEY CAN BASICALLY [bleep], SO.
>> YEAH.
>> [scoffs]
>> DOWN THE HALL IN MY BASEMENT.
>> SIMON, YOU CAN KISS MY [bleep].
UM...
WHO ELSE?
UM, RANDY, [bleep]
AND [bleep] OFF.
AND, PAULA, YOU'RE BEAUTIFUL,
BUT YOU CAN [bleep] OFF TOO.
>> [screaming]
>> BUT YOU LIKE ME?
>> YOU'RE AWESOME.
>> WELL, HE'S NOT A TOTAL LOSS.
UH, THIS IS IDOL: SEASON SIX,
SAN ANTONIO.
AND IT CONTINUES AFTER THE BREAK.
COMING UP, THE FINAL CONTESTANT
OF OUR SEVEN-CITY TOUR RESEMBLES A FORMER IDOL.
>> YOU'RE LIKE A LITTLE FUN RUBEN, AREN'T YOU?
>> [laughs]
>> IT'S NEARING THE END OF THE
DAY AND THE END OF THE AUDITION
TOUR IN SAN ANTONIO.
WITH THE CLOCK TICKING UNTIL
SIMON FLIES BACK TO "BRITISH,"
ONE LAST CONTESTANT HEADS IN FOR
HIS SHOT.
>> OKAY, JIMMY, WHY ARE YOU HERE?
>> WHY AM I HERE?
>> YEAH.
>> TO BE THE NEXT AMERICAN IDOL.
>> YOU THINK YOU CAN?
>> YES, SIR.
>> AND WHAT ARE YOU GONNA SING?
>> I'M GONNA SING CUPID.
>> CUPID.
>> YES, SIR.
>> GREAT.
>> OH, I LOVE THAT SONG.
>> * WELL *
* ANOTHER SATURDAY NIGHT *
* AND I AIN'T GOT NOBODY *
* I GOT SOME MONEY *
* 'CAUSE I JUST GOT PAID *
* NOW HOW I WISH *
* I HAD SOMEONE TO TALK TO *
* I'M IN AN AWFUL WAY *
* SO *
* CUPID *
* DRAW BACK YOUR BOW *
* AND LET *
* YOUR ARROW GO *
* STRAIGHT TO *
* MY LOVER'S HEART *
* FOR ME *
* NOBODY BUT ME *
* CUPID *
* PLEASE HEAR MY CRY *
* AND LET *
* YOUR ARROW FLY, YEAH *
* STRAIGHT TO *
* MY LOVER'S HEART *
* FOR ME * *
>> GREAT.
WELL DONE, JIMBO.
YOU'RE LIKE A LITTLE FUN RUBEN,
AREN'T YOU?
>> I GUESS YOU COULD SAY SO.
>> REMEMBER WHEN WE FIRST MET RUBEN?
>> YEAH. YEAH, YEAH, YEAH.
>> UM, THAT WAS WHEN HE USED TO SMILE.
>> [laughing]
>> BUT, YOU KNOW, IT'S, YOU
KNOW, GOOD, AUTHENTIC.
I THINK YOU'RE VERY LIKEABLE,
WHICH IS GOOD.
RANDY, YES OR NO?
>> DEFINITELY, DEFINITELY.
>> PAULA?
>> MM-HMM. UH-HUH.
UH-HUH. UH-HUH.
>> JIMBO?
>> YES, SIR?
>> YOU'VE MADE IT TO HOLLYWOOD.
CONGRATULATIONS.
>> WELCOME TO HOLLYWOOD, BABY,
FROM THE MIGHTY STATE OF TEXAS.
>> THANK YOU SO MUCH.
>> OUT YOU GO.
>> KEEP THAT VOICE SMOOTH, MAN.
>> WORK IT OUT, BABY.
WORK IT OUT.
>> [screaming]
>> WHAT'S HAPPENING?
WHAT'S HAPPENING?
>> [laughing]
>> CONGRATULATIONS.
>> THANKS.
>> WHAT DOES IT FEEL LIKE TO
HAVE THAT GOLDEN TICKET HERE IN
SAN ANTONIO?
>> AMAZINGLY BEAUTIFUL.
>> WHY DON'T YOU EXPLAIN TO THE
LITTLE ONE WHAT JUST HAPPENED
'CAUSE I DON'T THINK SHE KNOWS.
>> HEY, ALI, I'M GOIN' TO HOLLYWOOD.
>> SO?
>> [laughter]
>> ALL RIGHT, SAN ANTONIO, YOU DID IT.
>> AND THAT'S IT.
SAN ANTONIO IS DONE.
>> I'M GOIN' TO HOLLYWOOD.
>> WHOO!
I'M GOING TO HOLLYWOOD.
>> WHOO!
>> 22 PEOPLE MADE IT FROM THE
LONE STAR STATE.
>> WILL WE HAVE ANOTHER IDOL
FROM THE SOUTH?
WE SHALL SEE.
>> WE'RE GOING TO HOLLYWOOD!
>> WHOO!
>> WELL, SAN ANTONIO MAY HAVE
BEEN THE LAST STOP ON THE TOUR,
BUT WE HAVE MORE AUDITIONS FOR
YOU TOMORROW NIGHT.
??
THIS SEASON DREW OUR BIGGEST CROWDS EVER.
AND THERE JUST WASN'T ENOUGH
TIME TO SHOW YOU ALL THE GEMS WE UNEARTHED.
>> I NORMALLY BASE MY CLOTHES
AT, LIKE, HOW I'M FEELING TH DAY.
>> SO TODAY YOU FELT LIKE THE INSIDE OF A DUSTBIN.
>> THANK YOU.
>> SOME OF THEM ARE OUT OF THIS WORLD.
>> EXCELLENT.
ONE OF THE BEST MALE VOICES
I'VE HEARD SO FAR.
>> TERRIFIC VOICE.
>> SOME OF THEM ARE OUT OF THEIR MINDS.
>> [screaming] DO!
DO-DO-DO-DO!
DO! DO!
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